Wednesday, 12 May 2010
Wednesday, 5 May 2010
Questionnaire
1) Gender: male female
2) Age: 13-16 17-21 21-25 26-30 30+
3) Favourite genre: Comedies Horrors Action Romantic Comedies
Thrillers Sci-fi Adventure Drama Musicals Historical
4) Who do you usually go to the cinema with? Friends Family Family and Friends by yourself
5) How often do you go to the cinema? Once a week twice a week
Three times a week once a month occasionally never don’t know
6) What’s your favourite film, and what do you remember most about it?
________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
7) What do you expect to see in an opening sequence to a Romantic Comedy?________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
8) What type of comedy do you prefer? Slapstick comedy spoofs
ironic comedy parodies teen comedies ‘dumb’ comedies British humour classic comedy horror comedy ‘mock-umentaries’
screwball comedy
9) Have you ever seen a film with either homosexuality, homosexual connotations and with homophobics? Yes no
10) Would this type of film interest you? Yes no
11) The basic plot of our film is based around the main character Arthur, who is confused about his sexuality. This comes in between him and best friend Lily, who secretly has a crush on him. Rumours and stories start going around school, ending up with Arthur getting emotionally and physically hurt. Would you want to go and see this film?
Yes No
Friday, 30 April 2010
Looking back at your Preliminary task, what do you feel you have learnt in the progression from it to the full product?
What have you learnt about technologies from the process of constructing this product?
How did you attract your audience?
Who would be the audience for your media product?
How does your media product present particular social groups?
The 6th formers were wearing smartly dressed, and differed from gender and the day. In what ways does your media product use, develop or challenge forms and conventions of real media products?
Wednesday, 31 March 2010
Pre-production report
Throughout our production, our characters are wearing typical 6th form uniform clothes. These consist of suits for the male characters, and for the women characters, smart work style clothes. This was easy for us to do, as the characters were already wearing what was needed, as we filmed during school. The hair will change, as we will be showing different days, and therefore will need to be different. Other extras too wore the same smart clothes, apart from the lower year extras; they were wearing the school uniform. This was a burgundy blazer and black trousers or skirts.
In the classrooms, they were set out in a way that is easy to identify as a classroom, such as tables, chairs and posters. This too was easy to accomplish, as this was already done for us, we just had to get permission from the teachers. The outside of school too was already set out how we want, and didn’t need to change anything here.
We mainly used places outside, and therefore used natural lighting. This gives the atmosphere a natural feel to it, but we will have to make sure the weather is fairly consistent, so the continuity stays the same. We want the sun to be out, as this makes the overall feel of the film, as this will make the audience feel happier. We will use artificial lighting however in classrooms and places inside and these will be easy to access and use.
There will be many props used in this project, such as mobile phones. These will be used a lot, as this is shows the film is up to date, and will be used to contact one character to another, and this will also be used to create comedy. Other props include the book ‘Merchant of Venice’, as this is crucial to later parts in our film that won’t be shown. Others include typical school equipment, like notebooks, pencil cases, work books, laptops and bags. These will be used to create a sense of realism. These are the main props that we will use in our production.
For each character, they will have different character movements. For example, Arthur’s character is quite withdrawn and doesn’t make big actions. Lily’s character is bubbly, and is quite loud and will make larger movements than others. Another main character is Alfie, and he doesn’t make that much disturbance, and is ordinary in his manor of behaviour. There will be ordinary younger students walking around, and they will just be walking normally out of school. We want this to be as natural as possible, as this will further the naturalism of our film.
Opening Sequence
At the beggining there is a medium long shot of Arthur sitting in his bed on his laptop. He is smiling and showing appropriate emotions fitting to the narration playing digetically in the background. While this is happening, he is typing on his blog all the things that he is saying. It is evident from Lily's facial expressions that she has feelings for Athur but he quicklly runs out of shot. Through this whole scene, there is diegetic narration over the top. It then moves into a corridor where Arthur is removing a script from his locker when Alfie appears around the corner in a really stylish way before quickly cuttin back to Arthur in his bed typing. It then cuts to Alfie appearing normally, as Arthur is again is talking over the top. Alfie briefly acknowledges Arthur, and you see a close up of his reaction, which is at first shock, but then he nods back and carries on. This then goes onto a sequence of shots showing scripts being read, pencils being chewed, facebook being checked as well as mobiles and ipods. This is then cut to a medium long shot of both Arthur and Lily on a bench in school talking about the play and Alfie. Alfie walks past and Arthur looks solemn. The opening sequence finishes with Lily leaving Arthur on the bench by himself as he sighs. There is a final screen shot of him blogging his thoughts.
Proposal
We have talked about the distribution and the exhibition, and we have decided of using the 'ordinary' ways of exhibition like trailors, posters, radio adverts and adverts on popular internet sites such as facebook and twitter. This film would also be viewed in cinemas and later released on dvd.
research
Micro/macro
Within the first couple of minutes of ‘The Wedding Singer’, there are many elements that give clues to the audience what the film is about. For starters, the first backing track that you hear, is of the main character is singing a well known 80’s song, ‘you spin my head right round’, and this is played before any images are shown, therefore focusing the attention on the singer. As this is a well known song, and is an up-beat and happy song, the audience know that they will feel this emotion through the film. Also, the audience gets a small clue that the film will be in this time period. This is also shown by the clothes that they wear, and the way they dance, as these fashions and trends were popular in the 80’s and these factors are clear to the viewer.
There are some micro subversive elements, such as the main character, Adam Sandler, is a wedding singer, and you don’t usually link the two together. This however is shown positively, therefore reinforcing it. Another Micro element is shown through the editing of the camera work. As there are many hard cuts, this shows that the film will be fast paced, and action packed. Along with editing, there are other factors such as, when the names of the actors, directors, editors etc came up, they would whoosh across the screen, and have a black background, showing the importance of that person. Within the lettering, they would have glitter on the letters, adding a bit of glamour to it, reflecting that of the film.
One major macro element of the film is that as the opening sequence is during a wedding, so the audience can assume that this is what the film will be about. Another macro factors can be seen by what the main character says during the song he’s singing. Such as “can someone get some pants on that kid” and “I’m talking to you grandma molly”. These phrases get laughs from the people in the film, as well as the audience. This then shows the audience that he is the protagonist, as he is popular and funny. Unlike the normal conventions of an opening sequence however, there is no indication of an antagonist, as this character comes in later.
Timeline
0.00.10 – New line Cinema
0.00.18 – New line cinema again, but with music starting (*)
0.00.24 – Director’s names*
0.00.32 – Actor’s name – Adam Sandler *
0.00.39 – Actor’s name – Drew Barrymore *
0.00.48 – Title *
0.00.54 – Actor’s name – Christine Taylor *
0.01.04 – Actor’s name – Allen Covert *
0.01.17 – Actor’s name – Angela Featherstone *
0.01.22 – Actor’s name – Matthew Grave *
0.01.27 – Actor’s name – Alexis Arquette *
0.01.32 – Actor’s name – Frank Silverto *
0.01.35 – Actor’s name – Christina Pickles *
0.01.44 – Casting by__ *
0.01.51 – Music by__ *
0.01.59 – Music Supervisor by __ *
0.02.09 – Costume Design by __ *
0.02.16 – Edited by __ *
0.02.21 – Production Designer __ *
0.02.29 – Director of Photography __ *
0.02.39 – Co-Production by __ *
0.22.44 – Co-Executive Producers __ *
0.02.49 – Executive Producers *
0.02.55 – Producers *
0.03.02 – Written by __ *
0.03.16 – Director *
0.03.20 – on screen – “Ridgefield Banquet hall, 1985”
Conventions Of an Opening Sequence
During an opening sequence, the viewer is usually confronted with the an Establishing shot of the scene, and this shows the audience the setting, the time period and sometimes even the genre. The next conventional shots that the viewer sees is the protagonists (the main narrative the film is based around) and the antagonists (the character that gets in the way of the narrative progressing or the 'evil' character). These also can give away clues to the plot, the time period, the genre and the location. Another is a narrative enigma. This is where a situation comes along and builds up tention in the audience, and works towards the main plot of the story. These enigmas also keep the audience interested in the film.
History of Romantic Comedies
The western European medieval period created the romantic love situation, from the previous Ancient Greece had used sexual or social elements. However the 'romance' came to later be 'romantic love' situations rather than the heroic adventures from the medieval romance; these adventures revolved around the story line of a knight's deeds on behalf of a lady, which were later changed into the love of that woman, woven in with the idea of that deed.
Shakespearean comedy and Restoration comedy remained dominating with the start of financial level of the Gilded Age, during the post-civil war, combined with the heightened openness about sex in the Victiorian era. (1837) This was later evolved with Sigmund Freud's theories about the psychological needs for sexual desires. The beginning of the film industry in the early 20th century, involved most of these and romantic comedy was widely used. The styles of Rock Hudson-Doris Day comedies, gave way to more harmless comedy.
The French woman Virginia Woolf (1882) started creating stories that ended 'happily ever after' at the beggining of a serious relationships, and the picture of a difficult marriage. Wednesday, 24 March 2010
lighting
You can also have another light to light up the background. This can be used to make the background more visable, if it is important.
This was our attempt to recreate this 1980's image. I think that we got it quite similar, minus the fact that it was not in a dark room, so there is far more light that the origional image. We captured the shadows under the eyes, cheekbones, nose, lip and chin well and these was done by using a key light.

This task was more complicated than we had initially expected, as it was hard to get the right positioning of the model, as well as the lighting. we also spent some time working out what lights were used in the image.


